ABOUT
Size: 90 × 45 × 65 cm
Year: 2026
Material:
Air conditioner unit,
Silicone tubing, Wiring
DOMESTIC WEATHER
Size: 30 × 30 × 90 cm
Year: 2026
Material:
Air conditioner unit,
Silicone tubing, Wiring, blue LEDs
The machine that promises comfort has always been honest about where the heat goes. It does not disappear, it is rejected outward, into the street, into the air, into the sky above the rooftop. Heat Rejection opens the casing of that logic: the housing of an air conditioning unit, stripped of its cover, becomes a display cabinet for the city it simultaneously cools and overheats.
The infrastructure we hide behind the air-con and quiet compressors so that the interior can feel controlled. This work refuses that concealment. The city is inside the machine that is heating it, making the management of temperature feel domestic, neutral, even comforting, while externalizing its ecological cost onto the urban body.
HEAT REJECTION
Size: 90 × 60 × 60 cm
Year: 2025
Material:
Aluminum framework
Stretched plastic
Copper wire
LED lighting
Something is shedding, and we are standing inside what it left behind. Lit from within by cold white and warm yellow LEDs, the plastic skin catches light unevenly, so the piece looks less like an object and more like a moment of transformation paused mid-motion. Seen in a darkened room, it recalls both a shed exoskeleton and a curtain of aurora: matter caught between being discarded and being born.
MOLT
Size: 30 × 15 × 30 cm
Year: 2025
Material:
Cast plaster and resin terrain
1:87 scale figure
The mountain does not know it is small; only the figure knows. A single miniature figure stands at the foot of a jagged, metallic peak, a landscape that could belong to a diorama or to a dream. The terrain's texture, raked and glacial, refuses to say whether it is rock, ice, or something manufactured. By fixing one human-scaled body against an ambiguous monument, the work stages the quiet vertigo of standing before something too large to fully account for.
SCALE
Size: 50 × 30 × 30 cm
Year: 2025
Material: Cast resin, perforated aluminum board, internal LED lighting
Dozens of pale, spiked forms rise from a perforated metal board like a forest caught between ice and bone. Lit from beneath, each spike glows faintly, giving the installation the hush of a frozen understory rather than the violence its silhouette might suggest. The piece asks what kind of "nature" appears when growth is simulated with industrial materials, a landscape that is both artificial and in its persistence.
Size: 50 × 50 × 30 cm
Year: 2025
Material: Fractured acrylic and glass, steel wire armature, dot-grid display board
It kept its shape after everything else was broken. Built entirely from shattered acrylic and glass held together by a thin steel skeleton, this creature-like form crouches across a gridded platform as though caught mid-stride. Its body reads simultaneously as insect, dinosaur, and wreckage, an organism assembled from its own debris. The work treats fracture not as failure but as a structural principle: a body that survives by being broken into exactly the right pieces.
Size: 50 × 30 × 30 cm
Year: 2025
Material: Fractured acrylic and glass, steel wire armature, dot-grid display board
A single sheet, folded into a tight zigzag, is pulled taut by copper wires strung horizontally across a wooden frame, like a section cut through a mountain range, or a seismograph reading turned solid. The tension in the wires keeps the folded form from collapsing, so the piece exists in a state of held stress: a landscape, or a body, permanently bracing against a force we can't see.
Size: 100 × 50 × 50 cm
Year: 2025
Material: Fractured acrylic and glass, steel wire armature
A precise steel-and-brass pendulum sits beside a raw stone fitted, almost apologetically, with a small mechanical spike. two very different solutions to the same problem of staying upright. Placed together on a tabletop, they read like specimens from two different disciplines, engineering and geology, each trying to describe stability in its own vocabulary. The smallest piece in the group, it functions as a kind of footnote to the rest of the exhibition, a reminder that balance is always a negotiation, never a given.
EQUILIBRIUM
Size: 10 × 10 × 10 cm
Year: 2023
Material: PVC pipe fittings, steel remote-control panel, keys, found objects
Nothing here is heavy. Everything here is held."Three small rigs, each a variation on the same idea: an object suspended not by its own weight but by the exact tension of the threads pulling against it. A steel control panel balances on a taut pyramid of wire; a set of keys hangs from a single vertical line; a grey PVC elbow joint, bent like a limb mid-gesture, is held aloft between two more wire tripods, caught in a pose it could not hold on its own. None of the objects are performing their intended function anymore; instead, each becomes a small demonstration of stored force, energy made visible only as the effort of staying still. Displayed as a set of three, the piece asks what "energy" looks like once it stops moving, not power in use, but power in reserve, quietly maintaining a shape.